Indiana University Press Observer.com, May 7 D’Agostino, Paul, “Big Art Fairs Swarm NYC This Weekend,” The L Magazine “Something for NADA,” Art Auction, May “Interview with Dan Mc Carthy” (commissioned catalog interview), “Dan Mc Carthy,” Suzanne Tarasieve Gallery, Paris 2011 “Portrait of Kevin Kelly,” (commissioned artwork), The Journal, Winter 1999 Bilsborough, Michael, “Unplugged, Rebooted,” School of Visual Arts Continuing Education Blog Kimball, Whitney, “Horror Hospital Unplugged at Derek Eller Gallery”, Art Fag City.com, October 24 Price, Ada, “Pioneering Graphic Novel, “Horror Hospital Unplugged,” Back in Print, Publishers Weekly, October 11 Fitzpatrick, Colin “Horror Hospital Unplugged,” (book review), Lambda Literary.org, August 22 Butler, Blake, “Dennis Cooper & Keith Maeyrson’s Horror Hospital Unplugged,” HTML Giant.com, July 28 Litt, Steven, “Keith Mayerson paintings in wonderful exhibit at Cleveland’s Shaheen gallery,” Cleveland Plain Dealer, July 20 Frank, Alex, “Studio Visit: Keith Mayerson,” The FADER.
COM, July 7 Frank, Alex, “Dead Again,”, The FADER, June/July, pg.
And the best of it tends to have certain artistic similarities: an omnivorous approach to genre, an album flow that plays out more like a DJ mix, BPMs that gets your blood moving without being overly spastic while maintaining an edge of noise, abrasion or general badassness. It begins with "Kill All Hippies" and that’s one of the _least _intense songs here.
Prior to this album, Ladytron were perhaps the best electroclash act, if not the only good one.
The sweatiest math-rock band in existence drops the absolute motherlode of man-machine interplay, drummer John Stanier lunging for his seven-foot-high crash cymbal in the most overt of this record’s many feats of strength.
4 “The View Master,” The New York Observer.com, Oct.26 Finch, Charlie, “Eleventh Avenue Ramble,” Magazine, October 25 Saltz, Jerry, “Ask an Art Critic,” Artnet.com, and NYMagazine, “Vulture,” Oct. "Neo-Integrity: Comics Edition," Volume 7, issue 3, p. 100 PUBLISHED ARTICLES 2011 “Neo Integrity: Comics Edition,” (interview with Keith Mayerson, curator, conducted by Peter Halley), forthcoming 2009 “The Artist’s Artists: Keith Mayerson, Stevie Wonder, Gershin Prize for Popular Song (the White House, Washington DC)” Artforum, December 2009 (best of the year capsule review) 2008 “Jane Freillicher: Recent Paintings,”, Tibor De Nagy Gallery, NY (catalogue essay) “Kathe Burkhart: The Liz Taylor Series: The First 25 Years, 1982-2007”, Modern Painters, March 2008, (book review) "How Haute It Is," Interview, April, p.23-26 (illus.) Red Hot Bothered: The Indie Rock Guide to Dating, Volumes 1 (pp. 130-133 (commissioned assignment) 2007 “Annie Lennox,” Interview, Oct. 155 (commissioned assignment) 2006 “Keith Mayerson on Randy Wray,” BOMB, Spring 2006, Number 95, pgs. 2005 Lisa Kirk and Keith Mayerson, “Wake the Sleepers,” Art US, May-June, pgs. “Why I Didn’t Rush the End Zone,” (commissioned assignment), Interview, February, p. ARTIST' S BOOKS 1996 Horror Hospital Unplugged, (with Dennis Cooper) Juno Books/RESearch Publications, New York, NY 1993-94 A Patriarchy’s Nightmare (republished in 2011 by Harper Perennial) 1993 Pinocchio The Big Fag Trying Not to Be A Dick ARTIST' S VIDEOS 2012 “8 Americans” (interview series with Hilary Berseth, Joe Bradley, Jacob Cassay, Ann Craven, Francesca Di Mattio, Wade Guyton, Keith Mayerson, Dana Schutz) 1999 Limp Biscuit 1996 present A Portrait of Two Artists as Young Men 1995 The Best of Keanu 1994 Trees in the Forest 1993 Get the Knife 1992 Why Do You Keep Doing This to Yourself PLAYS/SCREENPLAYS 2012 ”Slideshow, Art from NADA 2012,” Blouin Artinfo, May 8 Herman, Sasha, “NADA New York 2012 Preview,” NY Observer.com, April 30 Miller, Michael H., Rozalia Jovanowitz, Andrew Rosseth “Gallerist’s Frieze Week in Pictures,” New York 1999 A Child is Being Beaten 1995 Nowhere Fast 1993 Pinocchio the Big Fag 1991 Fags 1988 A Child is Being Beaten, BACA DOWNTOWN, New York, NY directed by David Savran and Ronn Smith THE BOX, Trinity Repertory Company, Providence, RI, March 1989, as a part of “Graduate Play Festival,” Directed by David Savran and Ronn Smith, Leeds Theater and Brown’s Production Workshop TYGER, (Set design only), Leeds Theater, Brown University 1987 Melonboy (also director and set designer) Production Workshop, Brown University CURATED EXHIBITIONS 2011 “8 Americans” (Hilary Berseth, Joe Bradley, Jacob Cassay, Ann Craven, Francesca Di Mattio, Wade Guyton, Keith Mayerson, Dana Schutz), September 2011, Alain Noirhomme Gallery, Brussels 2010 "Neo Integrity: Comics Edition," Museum of Comic and Cartoon Art, New York, NY 2007 "Neo Integrity," Derek Eller Gallery, New York, NY PANELS 2014 “Strong Female Protagonists,” Shelly Bond, Alitha Martinez, Diane Noomin, Raina Telegemeir, moderated and organized by Keith Mayerson, part of the Society of Illustrators/Mo CCA Comics Week, School of Visual Arts, April 1 2010 “A Conversation with Gary Panter and Peter Saul, moderated by Keith Mayerson,” Thursday, August 19, Museum of Comics and Cartoon Art, New York “Dash Shaw and Keith Mayerson in Conversation,” Tuesday, May 25, Museum of Comics and Cartoon Art, New York PUBLIC COLLECTIONS Whitney Museum of American Art, New York, NY Museum of Modern Art, New York, NY Los Angeles Country Museum of Art, Los Angeles, CA The Museum of Contemporary Art, Los Angeles, CA San Francisco Museum of Modern Art, San Francisco, CA The Columbus Museum of Art, Columbus, Ohio The Cleveland Museum of Art, Cleveland, Ohio Corcoran Gallery of Art, Washington, D. What if you went to one of Black Dice’s legendary junkyard shows back in Brooklyn of 2002, but everyone was taking ecstasy instead of cocaine and PBR?Here’s the bracing and surprisingly blissful result where the constant catharsis of noise rock and rave music meet. 2 _to Japanese military chants., which sounds exactly like you think it does.